Tuesday, December 30, 2014

PDF Ebook Junkers Ju 88 Bomber Variants (TopDrawings)By Maciej Noszczak

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Junkers Ju 88 Bomber Variants (TopDrawings)By Maciej Noszczak

The sixteenth issue of the Topdrawings series is dedicated to the bomber variants of the Junkers Ju 88. It contains scale drawings of the most important sub variants of the A-variant. Also included are color profiles of 4 aircraft:

- Junkers Ju 88 A-1; W.Nr. 7036, coded '9K+HL' of 3./KG 51, Bexhill, Sussex, UK, 28th July 1940,

- Junkers Ju 88 A-11 (A-4 trop); coded 'L1+OK' of 2./LG 1, North Africa, 1942,

- Junkers Ju 88 A-4; coded '(3Z)+KS' of 8./KG 77, MTO, 1943,

- Junkers Ju 88 A-5; coded 'B3+EX' of 10.(Erg.)/KG 54, MTO, 1943.

Their individual markings in 1:32, 1:48 and 1:72 scales, as well as the swastikas, are present on the decal sheet printed by Cartograf, which is also attached to the booklet.

  • Sales Rank: #1653115 in Books
  • Published on: 2013-12-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x .50" w x 8.10" l, .85 pounds
  • Binding: Paperback
  • 20 pages

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Saturday, December 27, 2014

PDF Ebook If You Want to Write: A Book about Art, Independence and Spirit (w/linked toc)By Brenda Ueland

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If You Want to Write: A Book about Art, Independence and Spirit (w/linked toc)By Brenda Ueland

Everybody is talented, original and has something important to say.

And it may comfort you to know that the only people you might suspect of not having talent are those who write very easily and glibly, and without inhibition or pain, skipping gaily through a novel in a week or so. These are the only ones who did not seem to improve much, to go forward. You cannot get much out of them. They give up working presently and drop out. But these, too, were talented underneath. I am sure of that. It is just that they did not break through the shell of easy glibness to what is true and alive underneath--just as most people must break through a shell of timidity and strain.

Everybody Is Talented

Everybody is talented because everybody who is human has something to express. Try not expressing anything for twenty-four hours and see what happens. You will nearly burst. You will want to write a long letter or draw a picture or sing, or make a dress or a garden. Religious men used to go into the wilderness and impose silence on themselves, but it was so that they would talk to God and nobody else. But they expressed something: that is to say they had thoughts welling up in them and the thoughts went out to someone, whether silently or aloud.

Writing or painting is putting these thoughts on paper. Music is singing them. That is all there is to it.

Everybody Is Original

Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his true self and not from the self he thinks he should be. Jennings at Johns Hopkins, who knows more about heredity and the genes and chromosomes than any man in the world, says that no individual is exactly like any other individual, that no two identical persons have ever existed. Consequently, if you speak or write from yourself you cannot help being original.

  • Sales Rank: #347084 in eBooks
  • Published on: 2010-04-21
  • Released on: 2010-04-21
  • Format: Kindle eBook

Amazon.com Review
This book so speaks to the contemporary writer that it is nearly impossible to believe that it was originally published in 1938. In If You Want to Write, Brenda Ueland sets forth not just a philosophy about how to write or how to create, but also about how to live. Beginning writers will certainly be encouraged by Ueland's words, but even the most experienced have much to glean from Ueland's simple wisdom. "Everybody," writes Ueland in the opening chapter, "is talented, original, and has something important to say." Finding that something important involves embracing creative idleness ("the imagination needs moodling--long, inefficient, happy idling, dawdling and puttering"), freeing "what we really think, from what we think we ought to think," and "thumb[ing] your nose at all know-it-alls, jeerers, critics, doubters." One must think, she says, "of telling a story, not of writing it." And when revising one's writing, she advises, "do not try to think of better words, more gripping words.... It is not yet deeply enough imagined." Finally, "whenever you find yourself writing a single word or phrase or page dutifully and with boredom, then leave it out.... If what you write bores you, it will bore other people." And just because If You Want to Write is passionate, sincere, and even spiritual, do not think it is not also witty. One footnote bluntly declaims, "No doubt my terms would horrify a psychologist but I do not care at all." Elsewhere Ueland titles a chapter "Why Women Who Do Too Much Housework Should Neglect It for Their Writing." Amen, sister!

From Publishers Weekly
Ueland argues that anyone can write well once the imagination is freed from self-consciousness, anxiety and fear of failure. This is a fresh and vivid approach to creative endeavors.
Copyright 1987 Reed Business Information, Inc.

Review
"It's a perfect book for both beginning and advanced writing students. It's wonderfully inspirational and can be coupled with just about any teaching technique."—Erin Cressida Wilson, Duke University

"The finest book written on the art and spirit of writing."—Shann Ferch, Gonzaga University (Spokane, WA)

"I have consistently used If You Want to Write for eight years now in English 241, and the students have loved it every semester."—Mel Livatino, Truman College (Chicago, IL)

"If You Want to Write does a superb job of reassuring student writers whose schooling has often robbed them of any confidence in their own voices. Nothing else I know does a better job of explaining to first-year college students the necessity of passion in the writer."—Shelby Grantham, Dartmouth College

"I was with [Ueland] right up to the end and wanted to shout, 'Amen.'"—Andrei Codrescu, poet, author, and National Public Radio commentator

"I only have to read a few sentences and I am infected with the desire to follow her."—Women's Review of Books

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Thursday, December 25, 2014

PDF Download The Agile Startup: Quick and Dirty Lessons Every Entrepreneur Should Know

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  • Published on: 1705
  • Binding: Hardcover

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Saturday, December 6, 2014

Free PDF Beginner's Guide to SOLIDWORKS 2017 - Level I, by Alejandro Reyes

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Beginner's Guide to SOLIDWORKS 2017 - Level I, by Alejandro Reyes

Product details

Perfect Paperback: 746 pages

Publisher: SDC Publications (January 24, 2017)

Language: English

ISBN-10: 9781630570637

ISBN-13: 978-1630570637

ASIN: 163057063X

Product Dimensions:

9 x 1.5 x 11.5 inches

Shipping Weight: 8.7 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#297,482 in Books (See Top 100 in Books)

Just be aware: This is a workbook and required text for some technology college courses in computer design and drafting. It needs to be purchased with the assignment pages intact or it's useless to the student. The second level of this book is not a workbook and there is no such requirement to observe when purchasing. Also, following the logical progression of classes you are going to need both levels so you might want to snag Level 2 of the same title while you can. One final comment; since 3-D drafting technology seems to be evolving faster than the publishers can print these texts be SURE you verify which year's version to buy!

Easy to follow and understand although now and again something is written in a quarcky way.

I just started using this and it seem to be a very good training guide.

Great book to follow and learn. But i wanted to know if the author has books for modeling in solidworks and also FEA in Solidworks

Great book.

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Thursday, December 4, 2014

PDF Download The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers

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The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers

There is much speculation about the “occult roots” of National Socialism, yet little concrete documentation has ever been uncovered. Of the materials that do exist, almost nothing has been translated into English--until now. This book, ten years in the making, contains the collected occult writings of Karl Maria Wiligut, the runic initiate and shadowy “Secret King” of Germany. His works were originally published in the rare ariosophical journals Hag All All Hag and Hagal. Heinrich Himmler --the leader of the SS and possibly the most powerful figure in the Third Reich-- commissioned Wiligut to write private reports on Runes, secret Germanic traditions, and prehistory. It was through this position of influence that Wiligut came to be known after his death as “Himmler’s Rasputin.” Adeptly translated by Germanic history expert Dr. Stephen E. Flowers and edited by Michael Moynihan, these writings allow a glimpse into the strange magical world that enchanted high-ranking officials of Nazi Germany. For anyone fascinated about the role occultism played in the Third Reich, here is the evidence. Never before have source documents of this nature been made available to the English-speaking world!

The Secret King contains: A full-length biographical introduction about Wiligut’s turbulent life and exploring his magical worldview -- Translations of all Wiligut’s major writings -- Wiligut’s mysterious invocations, the “Halgarita-Sayings” -- Translations of private documents Wiligut submitted directly to the Reichsführer-SS, Heinrich Himmler -- Essays on Wiligut’s cosmology and traditions by other ariosophists of the past and present -- Himmler’s own report of an SS name-giving ritual, attended by the inner circle of SS leaders and presided over by Wiligut -- An exclusive interview with Gabriele Winckler-Dechend, Wiligut’s closest colleague from his period of service in the SS.

  • Sales Rank: #5294181 in Books
  • Published on: 2001-07-12
  • Original language: English
  • Binding: Hardcover
  • 160 pages

About the Author
Stephen E. Flowers studied Germanic and Celtic philology at the University of Texas and in Göttingen, West Germany. He received his Ph.D. in 1984 in Germanic Languages and Medieval Studies. His dissertation was published in book form as Runes and Magic (Peter Lang, 1984). Other books by Dr. Flowers include Fire & Ice (Llewellyn, 1990) and Lords of the Left-Hand Path (Rûna-Raven, 1997). He has also translated and edited The Secret of the Runes by Guido von List (Destiny, 1988) and the Icelandic grimoire The Galdrabók (Weiser, 1989). He is presently the director of the Woodharrow Institute for Germanic and Runic Studies in Texas.

Michael Moynihan studied languages and history at the University of Colorado and Portland State University, and received his B.A. in German in 2000. He is the co-author with Didrik Søderlind of Lords of Chaos (Feral House, 1998), and has edited two books by the Italian traditionalist philosopher Julius Evola: Introduction to Magic (Inner Traditions, 2001) and Men Among the Ruins (Inner Traditions, 2002). He is the North American Editor of the journal Rûna (London, UK) and contributes regularly to other periodicals.

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The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers PDF

The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers PDF

The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers PDF
The Secret King: Karl Maria Wiligut, Himmler's Lord of the RunesBy Karl Maria Wiligut, Michael Moynihan, Stephen Flowers PDF